Oh, there are a couple of winking references to Cloud Atlas (2004), which here takes the form of “overlapping solos for piano, clarinet, cello, flute, oboe and violin,” and ace rock ’n’ roll guitarist Jasper de Zoet is eventually revealed to descend from the eponymous hero of The Thousand Autumns of Jacob de Zoet (2010). There’s no time-hopping, apart from a brief epilogue set in the present, or elegant experiments in genre-busting in Mitchell’s latest novel, his first since Slade House (2015). Noted novelist Mitchell returns with a gritty, richly detailed fable from rock’s golden age.
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